Photographing the Larger Extruded Ceramic Sculpture Traces of Landscape

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 Final steps for my Ceramic Sculpture

I made up my frame and sealed it with some silicone so it was prepped and ready for the ink to be poured into.


I unfortunately wasn't able to use the photographic studio and I ended up using the 3D workshop space to photograph my piece. Because the ceiling in the 3D workshop was covered in stainless steel vents, it didn't look very nice in the reflection of the ink. As I photographed the sculpture from a bird's eye view, I had to try and cover the vents reflecting in the ink by using a large black cloak. This unfortunately meant I lost most of the wanted reflection against the ink and made it look like a deep black void instead. To make the ink appear more reflective, I brought down the contrast whilst editing the images which helped to make it look like a liquid again.


The image above is my favourite photo out of all of them. I found that when I didn't take the photo from a bird's eye view, I was able to capture a better reflection from the ink and I created more depth to the piece from this angle. I also believe that you get a better flow to the twists and curves that lead your eye on a rollercoaster journey. I feel it represents the motorbike trek through Europe and the Stelvio Pass in Italy that I used as inspiration for the ceramic piece.

Even though I wanted texture from the liquid background in the image above, I still like the effect the black void has created by blocking any reflection.

















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