Print Workshop Dry point

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 Dry Point

Today in the Print studio we had a go at etching an image into a plastic plate using an etching needle. I wanted the piece to have more texture so I applied lots of pressure with my mark making. I also used lots of cross hatching to create tone and shade. I thought about the composition of my image, as I wanted the effect that you were looking upwards towards the tree tops. Dry point is quite a long process, from etching your plate and then rubbing away the ink on the plate. I didn’t want to rush etching my plate because I noticed from trialing this process before, your image can look a bit flat if you don’t create enough marks.

I also used the Shinkalay technique by laying tissue paper on top of my print. I wanted it to look as though the sun was through the trees.

I’m really happy with my result. I want to do more mark making on my plate as there are more blank spaces than I hoped for.



 




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