Posts

Making frames to support my work-FMP

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 I had to make a frame to hang my size A0 photograph. I was really proud of myself for doing this with simple instruction from the 3D workshop technician as I have never done this before, but now I know how to do it I can do it again. This will give my photo a professional finish once I painted the edges black.  These are the five wooden beams I painted to sit across my boards and support the perspex layers. I’ll rest them on top of my boards, and once I’m happy with the depth of each layer, I’ll fix them into place. My tutor advised me of this as I was going to use a frame that I had previously made. However, I am happy that I listen to him regarding the beams.

Screen printing my layers-FMP

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I printed in all 5 screens in pink first and the following day I printed in teal. I kept the continuity with the pink being on the right as I believe this suggested movement. I was a little concerned when I printed the street art as it looked like a negative print. I placed some newsprint paper underneath the clear perspex and I can see that it printed successfully. This was the only screenprint printed on white perspex as it will be the last layer. I did find that the teal and hot pink didn't create the navy that it did with my test piece. It came out with a more purple tone. I think the white background created a solid base for it to sit on. 

Size A0 soft netting fabric- cyanotype-FMP

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 The videos below shows my process using the UV light box to expose the fabric. I have my collage printed on two A1 pieces of acetate that I will join up to make it A0 on the UV box.  I unfortunately was unsuccessful as the cyanotype on A0-sized fabric washed straight off. I understand that there's no guarantee how it will turn out. I will try again with a different fabric next time.

Problem solving the remake of collage for cyantype on photoshop-FMP

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I have made quite a lot of changes. I made a few more layers of blossom and I made the numbers and dials on the clock more highlighted. The acetate print on the left is the new improved version that I'm hoping will expose a lot better. This video documents my problem-solving and what I plan to do. I took a trip to Hobbycraft to purchase some soft netting fabric in size A0 that I will use first before trying the calico fabric.

Prep work for cyanotype-FMP

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Collage I created a collage on PhotoShop mixing together photos from my past. This beautiful blossom from outside my old house. The Sphinx in Crystal Palace Park, a close up of the Crystal Palace tower. A close up of whisteria from my old backgarden and the Thornton Heath clock tower from another area I lived in as a teenager. I had to use the lasso tools to cut around the sphinx, the clock tower and the other photos I want to use. It was extremely time consuming to remover the sky between the tower and blossom. However, it paid off as I was really happy with my outcome. This is my process of removing the background Next I will make a collage with the pictures. This is the collage I made layering the photos and changing the opacity to allow them to blend in together. I want this piece to be more abstract. I painted some A4 muslin cloth test pieces to see how it turned out.  The contrast on the acetate wasn't strong enough so when it was being exposed to light, you could barely...

Artist research for Cyanotype-FMP

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  https://maverickbeyond.com/2024/09/25/cyanotype- sculptures-exploring-physical-space-with-photography/

Experimenting with screen printing-FMP

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 I have printed on paper to see if this is the look that I definately want Tony helped my get the right shade of teal  I really like the staggered effect. I want to use the pink on the right as they're walking left it has really created movement.